Chaos 10 March 2020


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Howell is out and the other two members of The Establishment are up next! Jasper Britton is the well-mannered intelligence officer with a will of steel, in charge of the two young female lookouts whose presence in the house becomes increasingly resented. Most of the older cars will have had the known glitches sorted by now, so running an early A8 should come down to consumables and the odd bigger item, just as with any car. And sometimes, you don’t just need to think outside the square to make things work, you need to vault over the fence and land running. All yearn for their home town of Scarborough; brutalised and distraught, all discover the impossibility of going back to the way things once were. Startled, Darren gets back up but walks straight into a gorilla press slam. Shyla stumbles away hunched over and clutching her ribs as Colby performs a kip up that delights the crowd, and just when she turns back in his direction he rushes forwards into a shotgun drop kick that sends her sailing backwards to crash against the turnbuckles. Over time, they can take on deeper meaning, and eventually become a brick in a wall of resentment.

The cast of four don’t always make the more poetic moments sing but when it finds a groove in one narrative, allowing a character time to breathe, The Unreturning can be devastating. A juicy spy play with a pedigree cast. By the end she is a nervous wreck, vomiting into the kitchen sink as the act of not tipping off her good friend Helen – spy or no spy, she loves her – becomes an agony. For example, we have a friend who loves to play golf at the weekend. Tracy-Ann Oberman is suitably blaring as the friend who grooms the Jacksons’ rebellious daughter Julie (Macy Nyman). Republican director of the “Young Republican Federation” Nicholas Elizondo molested his 6-year old daughter and was sentenced to six years in prison. Their daughter Finty Williams now takes on the lead role of Mrs Jackson. Though with a dollop of old-fashioned Burton-and-Taylor glam, Simon Godwin’s fluid, film-like version is boldly now. On earth-1 they now assemble all the paragons


> The Unknown slowly lowered his head while not breaking eye contact with the King of Hell himself. He charges her with a lifting knee to the head that once more rocks her but she somehow clings to the middle-rope with her hand, a white knuckle grip providing her safety. Fiennes starts off in a pair of hilarious white flares, spot on for this middle-aged warrior, uneasy in his lovesick, civilian skin. Even if it takes a liberty with the opening scene, it makes clearer than usual the choppy plot that zooms confusingly back and forth between Rome and Egypt. Spool back to 1960, to the leafy London suburb of Ruislip. The Art Of Success, from 1986, is set in 1730s London. She is fabulous as the uptight, mousy housewife, plumping cushions on a Fifties set (by Paul Farnsworth) of tasselled lampshades and swirly carpets, with a Ford Consul visibly parked off stage. Krahe spins out of the attempt and instead pulls DGS in toward him, trying for a clothesline